Sex, Death, and Ambiguity

“The sex, death, lyrical ambiguity roles are all here, beginning with the crisp menace of ‘Break On Through’, a deliberate statement of intent and the best possible musical corollary to the group name.” –NME, October 1975.


This was a review posted with hindsight, and still sums up some of what was great about The Doors. Add your thoughts in the comments.