Jim
Oliver Stone's The Doors
#1
Posted 28 June 2010 - 09:06 PM
Jim
#2
Posted 28 June 2010 - 09:51 PM
#3
Posted 28 June 2010 - 11:43 PM
Encuentro, on 28 June 2010 - 09:51 PM, said:
The thing about the JFK assassination is that it had to happen. There was no way around it; even if the president had escaped that day, there was still a major plot against him. They were not letting him out of the South alive.
#4
Posted 28 June 2010 - 11:46 PM
Defiance, on 28 June 2010 - 11:43 PM, said:
The thing about the JFK assassination is that it had to happen. There was no way around it; even if the president had escaped that day, there was still a major plot against him. They were not letting him out of the South alive.
Edited by Encuentro, 29 June 2010 - 12:15 AM.
#5
Posted 04 July 2010 - 11:46 AM
Feel sorry too for the scriptwriter.
Edited by Lum, 04 July 2010 - 11:47 AM.
#6
Posted 06 July 2010 - 08:11 AM
Lum, on 04 July 2010 - 11:46 AM, said:
Edited by Defiance, 06 July 2010 - 08:16 AM.
#7
Posted 19 January 2011 - 08:10 AM
#8
Posted 25 March 2011 - 07:40 AM
#9
Posted 13 April 2011 - 02:53 AM
Like all Stone's films tis not 'posed to be a documentary, but a dramitization. A play with a message. Just like Platoon, just like JFK, just like Alexander. It's called artistic license, and Stone earned his. Real life people are often grouped together under one character, scenes are developed to advance action and reveal character, not to teach history. In the bio, Stone talks about how he wanted the movie to be like a music video, in that the music drives the plot, not vice versa.
Stone is very respectful, admiring, even loving about Morrison. He discovered him in Vietnam and still talks about him on a personal basis, like he's in the next room. Supposedly Morrison even had a Stone screenplay on his belongings when he passed in Paris (tho that might be bullshit for the book).
Point is there are a lot of similarities between the two men, as far as their family lives, their fathers, military background, education ( bounced in and out of college on Dad's wallet, until finishing film school), French influences, attitudes toward authority, experimentation with drugs, et al and whathaveyou. Suffice to say if Morrison had skipped the LSD Venice summer of drugs and songwriting, he most likely would have turned out be a filmaker with exactly the artistic predilictions and tastes of Stone. Stone makes films like Morrison would have. In your face, rebellious, confrontational, dangerous, intellectual, attemmpted epic. An intellectual blend of pulp and high art. Every one whos into Morrison should appreciate Stone's films, in that they beat the Catch 22 of Hollywood :they make money without selling out, try to change the consciousness of the world without sacrificing artistic integrity. Stone doesn't cowtow to the powers that be, whether they are the Juden execs in Hollywood, the US government, or Ray Manzereck.
Personally, I think Morrison would have dug the film. Stone talks about how, in the end, its between him and Jim, if the film did Morrison wrong. He has that spiritual aspect, that all true Morrison fans seem to share; and which excuses any mistakes the film made.
#10
Posted 20 April 2011 - 06:30 PM
A couple of strange, and in my opinion well-made movies, about the killing of John Lennon brought about similar outrage from the surviving Beatles, and family, fans, etc. because of exploitation of deliberately presenting a sympathetic assassin in the form of Mark David Chapman as "anti-hero" to the "working class hero", John Lennon who is rendered into an unsympathetic character - aloof, wealthy, and seemingly justified for being shot.
The Doors movie opened wide the mythos of Jim Morrison by presenting the caricature of Jim on screen as real-life, like true-life fiction, and turned Jim Morrison into an asshole who deserved to die by the end of the film because he was such a scumbag, and so poorly portrayed in the screenplay, I was glad to see him die at the end of the film.
#11
Posted 20 April 2011 - 09:06 PM
#12
Posted 18 May 2011 - 03:33 AM
The film was never promoted by Stone as a definitive documentary of the band, nor was the movie presented or delivered in that way. The movie was supposed to portray music, art, and images created by the doors, for the sole purpose of entertainment value alone.
If anything, we should be grateful that a major motion picture was created with regards to the band and its lead singer, it is a lot more than what other bands have received from mainstream media over the years. And remember: publicity, good or bad, fetches an audience.
#13
Posted 01 September 2011 - 09:25 AM
#14
Posted 24 September 2011 - 06:24 AM
This news in: http://www.idafan.com/
#15
Posted 06 January 2012 - 07:44 AM
#16
Posted 01 February 2012 - 10:51 AM
#17
Posted 07 February 2012 - 08:30 AM
#18
Posted 26 June 2012 - 09:08 AM
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users












