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Doors and Jim Morrison News and Blog Mentions


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#21 Shebang

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Posted 23 August 2009 - 10:20 PM

8-21-09 Weird Al to release an extended play of new material
http://www.associatedcontent.com/article/2...net.html?cat=33

QUOTE
On Tuesday, August 25, veteran pop parodist "Weird Al" Yankovic will release Internet Leaks, a collection of five new recordings, via iTunes, Amazon, and other digital media outlets, according to a post on Yankovic's MySpace blog.

As the title suggests, four of the tracks on Internet Leaks have already popped up online. "Whatever You Like" is a parody of the T.I. rap hit of the same name. Yankovic's version deals with the struggling economy - "We can clip coupons all
"Weird Al" Yankovic to Release Internet Leaks, an EP of New Material night/ Baby you can have whatever you like."

"Craigslist" is an original song written by Weird Al in the style of the Doors. In fact, Doors keyboardist Ray Manzarek even plays on the track. The psychedelic music video, in which Al deftly channels Jim Morrison, has been a hit on YouTube since its release in June.

"CNR," an up-tempo rock song written in the style of the White Stripes, is an over-the-top homage to the late comedian Charles Nelson Reilly in which Yankovic sings, "Charles Nelson Reilly won the Tour de France with two flat tires and a missing chain."

"Skipper Dan" is one of the sadder songs Yankovic has ever recorded. The original song tells the story of a man who had great hopes for his life but disappointingly ends up being a tour guide on a jungle cruise ride.

The final track on Internet Leaks is "Ringtone," done in the style of classic rockers Queen. The song is a humorous tale about a guy whose cell phone ringtone annoys everyone who hears it. Like Queen's classic "Bohemian Rhapsody," "Ringtone" opens with a slow piano intro, followed by a livelier rock section, with operatic vocals throughout.

The five songs on Internet Leaks are expected to appear on Yankovic's next full-length album, due in 2010. Internet Leaks is Yankovic's first official release since 2006's Straight Outta Lynwood, which became the first album of his career to reach the top ten on The Billboard 200 and produced his first top ten hit, "White & Nerdy."



8-21-09 NY Times Article on the Hard Rock Cafe
http://www.nytimes.com/2009/08/23/nyregion/23table.html

QUOTE
The Hard Rock Cafe in Times Square is an unabashed tourist magnet, promising a brush with rock ’n’ roll greatness — or at least with rock stars’ castoffs. A main level shop peddles T-shirts and $70 “Goth Punk” Barbies; the sprawling, dimly lit namesake restaurant sits one floor below — Jim Morrison’s old leather pants adorn one wall — along with a private dining room sometimes peopled by rock stars performing publicity stunts.



8-22-09 Miami Herald article about Coconut Grove
http://www.miamiherald.com/news/miami_dade...ry/1197466.html

QUOTE
Coconut Grove was once its own little Woodstock

This month we've witnessed the endless celebration of a musical event that occurred 40 years ago, the one that defined the spirit of love and peace in the 1960s. I am referring, of course, to the Doors concert in Coconut Grove.

That's the one where Jim Morrison got arrested for letting it all hang out. It put our humble village on the map.



Aerosmith guitarist Joe Perry's voice compared to Jim Morrison
http://www.tulsaworld.com/Scene/article.as...D3_JoePer805046

QUOTE
The Aerosmith co-founder's trademark guitar playing takes center stage on his new work. He played a few unmastered tracks in the BOK dressing room as he prepared for the sold-out Aerosmith show. The tunes are bluesy, but they're not blues. They're jangly, but they're not pop. The vocals have a Leonard Cohen feel, a Jim Morrison sultriness. They're amped warbles, backed by rumbling, '70s-style guitars.



8-12-09 Philadelphia Inquirer - Ang Lee's film has a new theory about why the Doors weren't at Woodstock  ??http://www.phillybur...an-never-2.html

QUOTE
'Taking Woodstock': Better late than never?
On Friday, director Ang Lee's gentle fact-based tale, "Taking Woodstock," which uses the epic concert as the backdrop for the life of Elliot Tiber (newcomer Demetri Martin), arrives a couple of weeks after the official celebrations.

Why the wait?

The R-rated picture shows how Tiber, who provided the festival permit for the concert in Bethel, N.Y., was responsible for finding a place for the pressured organizers to hold the three-day celebration. It attracted more than 400,000 people.

During the event, the meek young man comes out of the closet, experiments with drugs, moves out of the home of his controlling parents and looks at life in a new way.

One of the key characters in "Taking Woodstock" is Michael Lang (the enigmatic Jonathan Groff of TV's "One Life to Live"), the forward-thinking young man who envisioned, planned and pulled off the concert.

Those seeking insights into details of the festival should consider Lang's new book, "The Road to Woodstock" (Ecco; $29.99).

Many people can list the musicians - including Richie Havens, Santana, Janis Joplin, The Who, Jefferson Airplane, Joan Baez and Jimi Hendrix - who performed, but not many know why certain big-name acts didn't show up.

Lang reveals some interesting facts, including:

? Jim Morrison of The Doors declined the Woodstock invitation due to a fear of being shot on stage.


? Donovan and Johnny Cash simply said no.

? John Lennon planned to attend, but immigration officials denied him entrance to the United States because of drug charges the previous year.

? The Rolling Stones wanted to appear, but Lang and his co-presenters turned them down. They worried the legendary British rock band was so popular, it would change the focus and mood of the event (something proven in 1969 during the Stones' infamous appearance at California's Altamont Speedway).



8-23-09 Pittsburgh Tribune
http://www.pittsburghlive.com/x/pittsburgh...e/s_639496.html

QUOTE
Music is something kids, parents have in common

Forty years ago last week, the Woodstock Festival defined a generation through its music.

At the time, to suggest that mom and dad join the kids in grooving to the Jefferson Airplane probably meant that you ignored those warnings about the brown acid.

Not anymore. Earlier this summer, when Aerosmith rocked out at a concert in Burgettstown, they played their scuzzy, bump-and-grind blues-rock to an audience that included Karen Stynchula, 49, of Unity, husband Edward, 52 and son Adam, 15.

If parents and son disagreed on anything, it was what the band would play for its second song.

"I kept telling her I know the second song is going to be 'Love in an Elevator,'" says Adam, a high-school sophomore.

He was right.

Once denounced as a threat to family values, rock 'n' roll now brings some families together.

Adam Stynchula says the music his friends listen to is too dark for him, too Gothic and scary. He was 7 when he began listening to the Who, the Grateful Dead and other rock elders on a local radio station. He loves the Rolling Stones to death. His favorite Stones song? "Brown Sugar," which came out nearly a quarter century before he was born.

Adam concedes it was "weird," watching his parents dance to songs like "Walk This Way" at the Aerosmith concert.

"Of course he didn't sit by us," his mother says.

Still, research suggests that rock music now unites generations rather than divides them.

A nationwide telephone survey conducted recently by the Pew Research Center found that three out of four age groups named rock as their favorite music: 16-39, 30-49 and 50-64. Rock ranked ahead of country, rhythm and blues, hip-hop, classical, jazz and salsa. The Beatles ranked in the top four favorite artists of all four age groups, including the last group -- age 65 and older.

"This is, we think, the first time kids have ever adopted the music of their parents," says Terry Stewart, president and CEO of the Rock and Roll Hall of Fame and Museum in Cleveland. Stewart has not seen the survey but can attest to an increasing number of families visiting the museum.

"Seven, eight, nine years ago we did not have many families with kids coming here," he says. "That began to turn around in 2005."

Stewart cites a few obvious reasons. Video games like Guitar Hero reinforce certain classic rock songs in the minds of young gamers. And of course, the Internet is a rock geek's dream.

"Younger people are discovering artists and burrowing into them," Stewart says. "They'll get fascinated by the Doors and become fascinated by Jim Morrison."

But these trends only partially account for the two-generation rock fan phenomenon, he says.

"Why (is it happening)? We're not sure."


Visitors to the Rock and Roll Hall of Fame last summer included Michael DeStefano of Carnegie and his son, Caleb, 9. They went specifically to see a Doors exhibit, which included a Cub Scout shirt worn by future lead singer Jim Morrison.

The spirit of the late singer lives in his son, says DeStefano, who first heard the Doors in college.

"You don't' see too many 9-year-olds walking around saying they like Jim Morrison and the Doors," DeStefano says. "He sort of likes the things I like. ... He probably heard me playing it in the car."

Caleb and his Dad often sing along to their Doors CD collection on the drive to their campground near Zelienople. Caleb has a scrapbook of Jim Morrison and can draw the Doors logo. His father says he wants to dress up as Jim Morrison for Halloween.


"He actually wrote in his letter to Santa Claus that he wanted Jim Morrison's autograph," DeStefano says.





#22 Shebang

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Posted 24 August 2009 - 02:30 AM

This is supposed to be a Spoof, but I think it's rather truthful. smile.gif

http://www.thespoof.com/news/spoof.cfm?headline=s4i58568

QUOTE
'OK, Woodstock was diabolically bad', stars admit

Story written: 23 August 2009

40 years after the legendary rock festival was held on a farm in Woodstock, it was admitted today by many of the top performers of the 1960s that rather than being the groundbreaking and culturally significant event in American history it had claimed to be for decades, it was basically a dreadful bore that most of those top stars at the time refused to perform at.

The Doors keyboard player Ray Manzarek said 'Sure, we were invited to play there, but the embarrassment of appearing at the same festival as people like Joan Baez and Arlo Guthrie, you know ...'

And Led Zeppelin singer Robert Plant agreed, saying 'We'd never heard of most of the acts at Woodstock, and still haven't! Only Janis and Jimi and The Who were any good, but who'd want to sit in a sea of mud for three days just to see them?'

'And as for the cool idea of being free, that was simply an accident, not any peace-loving hippy idea. The organisers always planned to make a profit from the festival, but couldn't afford enough fencing, so just gave up and let everyone in. Woodstock was diabolically bad!'

But Joan Baez herself disagreed. Miss Baez, once famous for knowing Bob Dylan in the 1960s, said 'OK, the way I murdered 'Joe Hill' at Woodstock was criminal, I sounded and looked like a raccoon that had just inhaled a bottle of helium, and as for Sly and the Family Stone ... man, they were like some crap disco soul band on acid!'

'But apart from the terrible bands, the mud, the boring interviews with stoned drop-outs, and the complete and utter boredom of the entire event, it was groundbreaking and, er, historic. Well, it was historic for me, the only time I ever played in front a of a large audience, mainly because they were a captive one.'

Pete Townshend of The Who added: 'It was unbelievably dull, all those American kids sitting there with their mouths open as we trashed our instruments and the stage, they were shocked! They wanted lots of nice smiling singers and musicians being all nice and smiling, not wild rock'n'roll. The most boring gig we ever played.'

'If Woodstock had been groundbreaking and historic it would have had The Doors, Led Zeppelin, Bob Dylan, The Velvet Underground, The Beatles, Otis Redding and Black Sabbath. At least Janis was good, but we had to go on before Jimi Hendrix, as we heard he was planning to copy us and smash his guitar on stage. Boring ...'

Next week, the fortieth anniversary of Joan Baez's last singing lesson.


#23 Shebang

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Posted 24 August 2009 - 02:42 AM

8-21-08 - Robbie Krieger helps fight Global Warming

http://www.prweb.com/releases/2009/08/prweb2771514.htm

QUOTE
Dandy Warhols, Robbie Krieger and 30 of Todays' Best Indie Bands Fight Global Warming

The 3rd Annual Clean Air Clear Stars Music Festival is a 3 day event raising money to protect the environment and raise awareness about the effects of Global Warming.


Pioneertown, CA (PRWEB) August 21, 2009 -- This year's lineup includes performances by The Dandy Warhols, Robbie Krieger (Of The doors), Jay Aston (of Gene Loves Jezebel), The Morning After Girls + many of Los Angeles's top local bands such as Gram Rabbit, Spindrift, Sky Parade as well as top bands from around the country. The three day event will showcase some 30 bands on 3 different stages with an incredible desert town serving as the festival backdrop. http://www.cleanairclearstars.com


8-23-09 John Densmore is helping to protect Wild Horses

http://www.californiachronicle.com/articles/yb/134440864

QUOTE
Blake and Coinman will present a multimedia concert event to raise awareness and money for endangered wild horses, which Blake says are on the verge of becoming extinct.

"There are less than 15,000 wild horses running free, and the government is determined to get rid of them," the celebrated author and screenwriter of "Dances With Wolves" said as Coinman, sitting next to him, nodded in agreement. "It's about the balance of life in the West. . . . Capitalism has removed us deeply from the rest of life on Earth. If we can maintain wild horses in the West, that's one more key in the ecological (chain)."

Blake's tone becomes excited and impassioned as he speaks of the wild horses that have taken up residence in his heart and at his sprawling ranch in Vail, at the foot of the Rincon Mountains. One in particular, a lead stallion named "Twelve" that he bought from the Bureau of Land Management in Reno in 1990, is the subject of his latest book, "Twelve: The King," which came out this summer. Twelve died in 2005; he was nearly 40 years old.

"When I saw him, I realized life was much bigger than what I was living," said the father of three, who still has a pair of wild horses roaming free on about eight fenced acres on his land and who has "1202" tattooed on his forearm. It's the same number that was branded into Twelve's rump.

Blake will talk about the book - which reads like a cross between a memoir and a love poem - during Saturday's event. He and Coinman also will be joined by longtime mutual friend John Densmore, former drummer for The Doors.




#24 Shebang

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Posted 24 August 2009 - 10:48 PM

Here's a new one--a Republican politician is being compared to Jim Morrison

8-24-09 - The Atlantic article about RNC Chairman Michael Steele's Healthcare article in the Washington Post

http://correspondents.theatlantic.com/cono...hael_steele.php

QUOTE
I've said this all before, but it's important to be repetitive about what the GOP strategy on this subject has been. Namely, (1) Make a silly claim ("death panels!"); (2) Have the silly claim disproved ("there are no death panels!"); (3) Avoid defending the original silly claim, and instead chalk the whole controversy up to an interpretive ambiguity or an inherently uncertain question about what may or may not happen in the vague and sinister future ("programs that seem benign at first can become anything but"). Like Jim Morrison before him, philosopher-poet Michael Steele knows that the the future is uncertain and the end is always near.


#25 Shelby68

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Posted 25 August 2009 - 05:17 PM

QUOTE (Shebang @ Aug 3 2009, 08:39 PM) <{POST_SNAPBACK}>
August 1 From Orange County, California, story about quirky travel destinations
Rock on. If music is more your thing, there are dozens of places outside the Rock and Roll Hall of Fame in Cleveland to jam. One of the wildest: A unisex bathroom in the Benvenuto Café in West Hollywood once housed the sound-mix studio for The Doors. In other words, Jim Morrison sat here.
http://www.ocregister.com/articles/epting-...033-bunyan-home


The Benvenuto staff say that Jim recorded his vocals in the upstairs bathroom, but in Ray's book he says downstairs. What to believe, what to believe...

Edited by Shelby68, 25 August 2009 - 05:19 PM.


#26 laurel_canyon

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Posted 25 August 2009 - 09:57 PM

What a great thread you've got going here Shebang. Thanks for your tireless research!  cool.gif

#27 mizscarlett43

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Posted 26 August 2009 - 12:44 AM

QUOTE (Shelby68 @ Aug 25 2009, 11:17 AM) <{POST_SNAPBACK}>
The Benvenuto staff say that Jim recorded his vocals in the upstairs bathroom, but in Ray's book he says downstairs. What to believe, what to believe...



Ray's right, of course. It was downstairs.


When I met Hendrix we just talked about the weather. When I met Jim Morrison we sat around looking at girls’ legs and discussing who had the best ass.

------Patti Smith

#28 Sacha

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Posted 26 August 2009 - 12:26 PM

The Woodstock question: I wonder what’s the real reason why The Doors never played.

#29 Shelby68

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Posted 26 August 2009 - 02:18 PM

QUOTE (mizscarlett43 @ Aug 26 2009, 12:44 AM) <{POST_SNAPBACK}>
Ray's right, of course. It was downstairs.


Thank you, Scarlett! This gives me a reason to go back for another pilgrimmage (as if I needed a reason...)

#30 Shebang

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Posted 26 August 2009 - 03:17 PM

QUOTE (Sacha @ Aug 26 2009, 05:26 AM) <{POST_SNAPBACK}>
The Woodstock question: I wonder what’s the real reason why The Doors never played.


Here's another theory about why the Doors weren't at Woodstock, from the 8-24-09 St. Louis Post-Dispatch

http://www.stltoday.com/blogzone/joes-movi...hat-almost-was/

QUOTE
other legendary performers didn’t even want to attend the festival. Taken together, the acts that said no to the organizers might have comprised the greatest rock-festival lineup ever. Consider:

Bob Dylan, who lived nearby, backed out because he was caring for his sick son–and was peeved by all the hippies that were trying to crash on his property.

Led Zeppelin, on an East Coast tour at the time, didn’t want to play second fiddle to any other bands. Instead they headlined a show in Asbury Park, New Jersey.

The Byrds were under the mistaken impression that Woodstock would be a small hootenanny on somebody’s hog farm.

The Doors declined because Jim Morrison didn’t like performing outdoors.

The Moody Blues opted for a gig in Paris that same weekend.

Joni Mitchell, who had written a special song called “Woodstock,” was convinced by her manager that it would be better for her career to do a taping of “The Dick Cavett Show.”

By the way, The Rolling Stones wanted too much money and the Woodstock organizers feared that the band’s new hit “Street Fighting Man” might incite violence. Sure enough, a few months later, the Stones’ appearance at the Altamont festival ended in a fatal melee.


Still more comparisons of the Arctic Monkeys' Alex Turner to Jim Morrison. I'm going to have to check this guy out to see whether he's worthy of all the accolades.

http://www.theglobeandmail.com/news/arts/m...article1263105/
QUOTE
8) The jaggedly riffed Potion Approaching is the track that most bears Homme's fingerprints. Creative lyrics seem to concern sex), drugs ("we embellished the banks of our blood streams") and rock 'n' roll on the road. Lyricist and singer Alex Turner does some Jim Morrison-like intoning on the bridge.


http://www.nydailynews.com/entertainment/m...c_tuesdays.html
New Music Tuesdays: Arctic Monkeys warm to the desert in 'Humbug'
Updated Wednesday, August 26th 2009, 9:00 AM

QUOTE
The Monkeys' first two CDs, focused, likable and crazed as they were, held to the same formula. Both raced through triple-timed beats, rattled with reedy guitars and featured fliply manic vocals. For the new CD, they've weighed down the sound in almost every way. The group has slowed and steadied the rhythms, filled out the guitar sound with darkness, and echoed the production into something large and looming. Instead of flitting over the melodies with jerky asides and upchucked outbursts, singer Alex Turner now bellows and even croons (!). He seems not so much a working-class Brit in love with Madness than an American drifter captured by the spell of Jim Morrison



A Led Zeppelin biography has been written by Jerry Prochnicky, author of Break On Through

http://www.examiner.com/x-10109-Lexington-...-out-in-October

QUOTE
Author Jerry Prochnicky has spent nearly 40 years researching the Led Zeppelin story and is the co-author of "Break on Through: The Life and Death of Jim Morrison". Joining Prochnicky on the Led Zeppelin project is Ralph Hulett, a rock photographer and writer who has contributed to music magazines as well as television programs like VH1's "Behind the Music" series. "Led Zeppelin: Good Times, Bad Times: A Visual Biography Of The Ultimate Band" also features a forward by Anthony DeCurtis, contributing editor of Rolling Stone magazine Grammy-winning music writer



The nerds in San Diego (my current home town) are afraid that potheads are going to show up at the Pops Symphony's Doors Concert. rolleyes.gif

http://www.nbcsandiego.com/news/local-beat...u-54621977.html
QUOTE
Hello, I Love You?
The Summer Pops symphony series to feature music of The Doors
By RON DONOHO
Updated 2:03 PM PDT, Tue, Aug 25, 2009

In past years, the San Diego Symphony’s Summer Pops series has included diverse and diverted concerts that featured the music of Led Zeppelin and Pink Floyd. This Thursday, the symphony will back a tribute band that will smoke out edgy music from The Doors.

Conductor/arranger Brent Havens will lead a 50-piece orchestra and a rock band led by the vocals of Randy Jackson (no, dawg, not the “Idol” Randy Jackson). The two-hour gig will feature Doors classics like “Riders on the Storm” and “Light My Fire.”
“Just imagine the power and energy of a rock band combined with the soaring grandeur of the symphony at Embarcadero Marina Park South,” says Summer Pops spokesperson Stephen Kougias. Guess you could love them two times.

Led Zeppelin and Pink Floyd drummed up more pre-sales than The Doors have, says Kougias. He hopes the current economic bummer doesn’t stop music fans from breaking on through and filling the 2,700-capacity outdoor venue by the bay.

You can’t bring alcohol into the venue (beer and wine is sold on-site), but patrons can bring their own food. Given the aura of drug usage that surrounded former Doors lead singer Jim Morrison, I ask Kougias if he expects, you know, more “special brownies” in picnic baskets for this show.

“Drugs?” ponders Kougias. “No.” Long pause. “That would not be legal or appropriate. This isn’t a 1968 Doors concert at The Sports Arena. Some people might be talking about it, but I haven’t seen any evidence of drugs at these types of pops concerts.”

People are strange, though
.




Some idiot in Chicago is trying to start a rumor that Michael Jackson, Elvis and Jim Morrison are still alive.

http://www.chicagotribune.com/news/nationw...79179.htmlstory

QUOTE
Michael Jackson Still Alive At Coroner's Office?Video purports to show Jackson exit coroner vehicle

A video floating around the Internet claiming to show Michael Jackson 'still alive' is creating a bit of a stir. A description posted by user 'LosAngelesCot24' on Liveleak.com reads 'this video shows that Michael was still alive after his dead body was transported to the Los Angeles Dept. of Coroner. I checked the license plate number and it looks like the King of Pop is jumping out of the same van, his dead body has been in.'

The user claims to have obtained the video from a 'trustworthy source' but there's nothing to suggest the person exiting the coroner's vehicle is Michael Jackson and there is no time stamp on the video. Though 'LosAngelesCot24' offers the assurance 'it´s real and Michael is alive' it's almost certainly unrelated to the Jackson case. Still, videos like this are sure to fuel the conspiracy theorists who suggest the King of Pop is still alive.


Michael can be found having dinner with Elvis and Jim Morrison in France, right?

LilC27 (08/25/2009, 8:57 PM )



Bass Player Harvey Brooks talks about the Doors and Jim Morrison

http://www.ynetnews.com/articles/0,7340,L-3766686,00.html

QUOTE
For 40 years he has played alongside his close friends Bob Dylan, Jim Morrison, Jimi Hendrix, Janis Joplin, Miles Davis, Mama Cass, BB King and many more. This new style of song didn’t bother him at all. “I am so excited, I have come home!” said Harvey Brooks, one of the most sought after bassists in the American rock scene of the sixties and seventies.  
*****

Its four in the afternoon, the sun is blazing, and Brooks is overcome with memories. “I really miss Jimi Hendrix. Women loved him, and not only women. He knew how to drive his audience crazy. I met him at his first festival, we were in the same hotel for a few days, some of the most beautiful women in the world were there and they all wanted him.


Before our last shows I was making mixes in the studio and Hendrix was in the next room. We talked about doing something together with Miles Davis, and Jimi was complaining about his managers. ‘Harvey, they are just killing me, they want me to do a bunch of shows, and I just don’t want to. I want to sit quietly and write music, and not work so hard, but my manager says I have to go do tours for the money,’ he said to me. So I told him ‘Jimi, you don’t owe them anything, you just look out for yourself.’ But he said ‘Harvey, too many people are dependent on me and my music,’ and he went out on tour. He was a human being but they treated him like a machine. I certainly blame his managers for his death.



“Jim Morrison, like Jimi, died because of the music industry. Success killed them, they lost their grip on reality, they were overcome. Freedom is a good thing, but it has to be under control. Jimi, Janis Joplin and Jim Morrison all needed a good doctor or a serious psychiatrist, not drugs and alcohol, to solve their problems. But they had nobody to help them. Nobody really cared about them. They lived in a time when the monstrosity of the music industry was killing its best and brightest. Morrison would go completely crazy sometimes from drugs and there was nothing to do but to wait for it to pass. When he wasn’t on drugs he was a very nice guy, even charming, but the drugs were stronger than him. When he was under the influence of drugs he was scary sometimes.

*****

Brooks also played with The Doors, in their shows and also on their albums. When recording the song “Touch Me” he also functioned as psychologist, kindergarten teacher, social worker, and producer. “The band members were fighting and almost didn’t speak to each other. Each one of them brought his part and I put them together into one song. We worked in a studio in Los Angeles and sometimes they showed up and sometimes they didn’t. If I wasn’t there the song would have never gotten made. After all this Morrison came in and sang the lyrics. Once he came in with two or three girls all over him, it was amazing, he had great charisma.”




And yet another Jim Morrison comparison, this time to an Estonian group called Bullfrog Brown
http://www.huliq.com/13/85425/blues-rock-blackpool-theatre

QUOTE
Blues Rock On At Blackpool Theatre

Bullfrog Brown kick off Studio Blues in true rocking style on Friday 28th August.

Combining contemporary, Dylanesque lyrics with funky, slide-driven Delta Blues themes and a Jim Morrison-meets-Tom Waits delivery; vocalist Alar Kriisa and guitarist Andres Roots have ensured steady rotation for their songs on Blues radio shows on four continents since 2005, while their busy live schedule has taken the little band from Tartu, Estonia, to festivals and clubs in Finland, Lativia, Lithunia, Slovakia, the Czech Republic, France and the UK. Bullfrog Brown feel equally at home backing Mississippi Blues legends such as Honeyboy Edwards and rubbing shoulders with the likes of Sweden’s Deltahead at alt.blues events. With their 2008 duo EP Mother River Delta declared Best European Release by Canada’s Underground Network, Bullfrog Brown stand as the best-known Estonian act on the Blues scene. Not to be missed...


#31 Sacha

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Posted 26 August 2009 - 05:15 PM

Thanks doll! smile.gif

#32 Shelby68

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Posted 26 August 2009 - 07:10 PM

"The Doors declined [Woodstock] because Jim Morrison didn’t like performing outdoors."

Ha! That's why they did the Toronto Peace Festival a month later, and the Isle of Wight festival in 1970, etc.

#33 jim4371

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Posted 26 August 2009 - 07:13 PM

And Seattle Pop and Eugene Pop the month before.. it's made up.

#34 Shebang

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Posted 27 August 2009 - 03:53 AM

91,500 websites and blogs have written about rock star crushes on Jim Morrison

http://www.google.com/search?hl=en&q=c...jim+morrison%22

And 23,100  individuals have made Internet Posts confessing to personal crushes on Jim Morrison

http://www.google.com/search?hl=en&sou...jim+morrison%22

GG, you're not alone.   wink.gif



And now for a news mention of a Rock & Roll version of Oedipus that is notable because it does NOT mention "The End", Jim Morrison or the Doors, but rather Elvis.  

ELVIS???
  blink.gif

QUOTE
From the August 26, 2009 print edition of the Los Angeles Times:

Theater Review
Oedipus, King of the hound dogs

The era-melding Troubador company puts Elvis hip shimmy into a Greek classic.

They’re at it again.  The Troubador Theater Company, known for mingling the plots of classics with rock and roll, is back for its 14th season of music, mischief and inspired clowning with “Oedipus the King.  Mama!” at the Falcon Theatre.  This fusion of Oedipus Rex and Elvis Presley reaffirms why the Troubles, as they are affectionately known, have become such a durably hot ticket.
*****
Of course, when Oedipus-Elvis learns that he has murdered his daddyl andmarried his mama, the show takes off like a skyrocket and inspired vulgarity is the order of the evening.  Be forewarned:  This is not a kiddie show.  One sequence involving a blow-up sex doll is particularly gross—and side splitting.


I'll take the Doors version any day!  rolleyes.gif

#35 Shebang

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Posted 27 August 2009 - 03:45 PM

8-27-09  The Doors, 'Break On Through (Live in New York)' - Song Premiere

http://www.spinner.com/2009/08/27/the-door...-song-premiere/

QUOTE
Back in 1970, the Doors played four nights at Madison Square Garden's Felt Forum. The shows, which would be the band's last in New York City, were part of 12 recorded for the 'Absolutely Live' album. "We would use one song from here, one song from there to make a live album. We didn't really think about using an entire show, letting people hear an entire show because we thought, 'Well, let's take the best song out of each night and put those together as an album,'" Doors guitarist Robby Krieger tells Spinner.

But Krieger believes that ultimately didn't work. "When you do that it's kind of sterile. It's like it doesn't really have the flow of a live show," he says. "And even though there might be little mistakes and sloppy drum part of guitars here and there it doesn't matter. At the time it did, but 40 years later it doesn't matter."

Having let go of their past fears of embarrassing mistakes, the Rock And Roll Hall of Famers are now releasing all four of those shows as part of a six-CD box set, 'Live in New York.' For Krieger, the collection brought back a lot of memories. "I go back and listen and I hear little things that I'd totally forgotten about," he says. "And it's kind of neat to go back to those shows because it all kinds of melts together after a while. 'Oh yeah, we played Felt Forum.' Each one is different. I'm sure you can tell the last show Jim [Morrison] is pretty wasted. It still works."

We don't doubt it, especially if the final night sounds as good as this previously unreleased version of 'Break On Through (To the Other Side)' from night number two, January 17, 1970. In it, the band gets in touch with its jazzy side. "Our whole goal was to be spontaneous and play stuff differently from night to night and that was part of the fun of it," he says. "And that particular version of 'Break On Through (To the Other Side)' works more in a jazzy, bluesy feel. Jim kind of messed around with it in the middle there, not that he didn't always do that. But it's a particularly cool version I think."



8-27-09 Great review of Craigslist


http://www.thestranger.com/seattle/its-a-h...ent?oid=2120600

QUOTE
"Craigslist"
by "Weird Al" Yankovic

(RCA/Jive)

Life is also too short to miss this perfect Doors rip/parody/homage, featuring Ray Manzarek himself on organ. I love every verse, from the "Missed Connections" one ("You were a blond half-Asian with a bad case of gas/I was wearing red Speedos and a hockey mask") to the impossible finale, involving a trash can full of Styrofoam peanuts ("But the trash can ain't part of the deal/Only giving you the peanuts—get real"). But the bridge clinches it: "An open letter to the snotty barista at the Coffee Bean on San Vicente Boulevard... Didn't you see me hold up my index finger? That means, 'I'll order my soy decaf hazelnut latte in just a couple minutes.'" Not to mention the video: Al's little Jim Morrison jump/leg-kick on the first chorus is as good as the record itself. Between this and 2006's insane R. Kelly homage "Trapped in the Drive-Thru," dude has gotten better than ever, right under everyone's noses.


Here's an article from Scotland.  Is anybody here familiar with the standup comedian's reference to Jim Morrison and Starbucks?

http://www.guardian.co.uk/culture/2009/aug...dinburgh-review

QUOTE
But engendering a party atmosphere is no mean skill in itself, and Hills is expert at it. He is always bent on including us, speaking for all of us, and certainly speaks for me with a terrific rant about the awfulness of Jim Morrison's posthumous co-option by Starbucks. Yes, the blows are glancing, and Hills soon skips on by. You won't get hard-hitting here, but what is guaranteed, and welcome, is a disposition so upbeat that even Hills's necrophilia material radiates sunbeams.




#36 Pedro Kazit

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Posted 28 August 2009 - 06:55 AM

In web Spinner.com unreleased version "Break on Through" 2º show 1-17-1970. Great version(and great quality of sound):  http://www.idafan.com/

#37 Shebang

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Posted 28 August 2009 - 01:25 PM

QUOTE (Pedro Kazit @ Aug 27 2009, 11:55 PM) <{POST_SNAPBACK}>
In web Spinner.com unreleased version "Break on Through" 2º show 1-17-1970. Great version(and great quality of sound):  http://www.idafan.com/


Yes, that information is already posted upthread.  smile.gif

http://thedoors.com/forums/index.php?s=&am...st&p=338981


8-27-09 Examiner - Yet another up and coming rock artist copying Jim Morrison.  This time it's the vocalist for Vann Pham

http://www.examiner.com/x-4336-Sacramento-...ham-show-review

Protopunks throwing bling on the scene - Vann Pham show review
August 27, 1:17 PMSacramento Rock Music Examiner
QUOTE
The Vann Pham experience began like a tribal drum circle. A lone guitarist played on stage while the drummer lead the rest of the band and some accompanying tambourine players through the crowd, sing-chanting to his steady beat.

After their unusual opener, Vann Pham assembled onstage for a highly energetic set of loud, danceable protopunk falling somewhere between New York Dolls, Yeah Yeah Yeahs, and The Stooges. When the singer wasn't drowned out by the band, he was a fine frontman with a voice akin to The Pixie’s Black Francis. Emulating Jim Morrison, he began one song with a long, rambling, poetic introduction that threatened to end in an acid rock mess, but thankfully led into another garage punk throwback.



8-27-09  One of Jim Morrison's favored bars in Venice has been refurbished, but hasn't yet opened because there is a license dispute with the city

http://www.latimes.com/entertainment/news/...0,7089535.story

QUOTE
In a lot of ways, the new Santa Monica piano bar and supper club Angel's was born of frustration. The Wilshire Boulevard space, which looks as if it's been transported out of the days of Prohibition, is actually the product of delayed plans for another venue, the Townhouse bar, in Venice.

Both places were acquired by Louie Ryan, head of Temple Bar Concepts, which owns a clutch of bars around the Los Angeles area, including Zanzibar and Little Temple, and made its mark with the now-closed live music venue Temple Bar, which was just a few blocks south of Angel's.

Back in June 2007, Ryan bought the historic Townhouse, which features a basement that Ryan calls "breathtaking." "It's still got the Prohibition-era tunnels running out of the original speak-easy in the basement," he says. "There are all kinds of great legends there, like Jim Morrison peeing on the basement walls."

But a dispute with the city ("We thought the license for the basement was grandfathered. They say it isn't.") has kept the space closed.



And one more for good measure, this time it's Monte Negro's bilingual-Latino-alt-rock vocalist who is being compared to Jim Morrison

http://www.examiner.com/x-615-Latin-Music-...lingual-altrock

QUOTE
This is not the first time the group visits Puerto Rico. In July of 2007, the band opened the Gwen Stefani show at the Puerto Rico Coliseum. At the time, the former Sony Music artists were promoting their debut album “Cicatrix,” but they did not quite make a splash on the local music scene because reggaetón’s popularity was at its peak and they mostly rocked in music festivals where reggaetón reigned supreme.

“Back then, we really weren’t able to break through the reggaetón barrier and reach a local alt-rock audience, but we’re now hopeful that we will soon,” recalled the tattoo-sporting, bracelet-wearing Gallo, whose dark humor, carefree personality and existentialist ideals may remind some of a young Jim Morrison.

“We have matured a lot since our first album. We have traveled and discovered many new things, gone through some good and bad experiences and had our ups and downs. So our next album will be a reflection of all the things that have happened to us over the past two years,” he added.

Essentially, Monte Negro’s fusion sound is a smorgasbord of alt-rock, electronica, reggae, cumbia, R&B and old-school salsa. But if you delete the Latin rhythms off the brew (as it happens in some songs on its sampler “Fugitives of Pleasure/Pasajeros”), then the band’s sound is a hybrid between UK post-punk/goth rock and New Wave. Think of The Cure without Robert Smith’s voice, loaded with scynthing guitar riffs and blistering drum beats.




#38 Shebang

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Posted 28 August 2009 - 04:43 PM

Several new stories about the Felt Forum CD Release.

http://www.antimusic.com/news/09/aug/28New...et_Coming.shtml

QUOTE
New The Doors Box Set Coming
  

08/28/2009
.
(antiMusic) Rhino is releasing a new boxset for The Doors which documents Jim Morrison's last performance in New York City before his death. Here is the info on the sex which hits stores on November 10th.
The latest addition to the band's acclaimed series of archival concert releases, this 6-disc collection contains all four of The Doors' performances - in their entirety - recorded in 1970 at the Felt Forum in New York City.

Recorded just a few weeks before the release of Morrison Hotel - these concerts find Jim Morrison, John Densmore, Robby Krieger, and Ray Manzarek locked in tight as they deliver smoking takes on soon-to-be-classics from their forthcoming album, including "Roadhouse Blues," "Peace Frog," "Ship Of Fools," and "Maggie M'Gill." The shows also feature a number of driving blues covers, such as Bo Diddley's "Who Do You Love," Howlin' Wolf's "Back Door Man," and John Lee Hooker's "Crawling King Snake." "Those were the bluesy songs we always used to do," Krieger says. "We probably hadn't done some of them in years, but we had resurrected them for these shows."

In 1969, the year prior to these shows, The Doors became one of the first rock bands to play New York City's Madison Square Garden. When they returned in 1970, Densmore says they chose to play the Felt Forum, a smaller venue at the Garden. "It was more intimate, and you could feel the audience more," he says. "There was more interaction, and the acoustics were much better, because it was designed for music."

Manzarek hails these shows as a return to the group's early days, when they used to play a club called London Fog. "I mean, talk about going back to basics. We used to do four sets a night at the London Fog, and we only had a small block of songs written up to that time. So we would do other people's material. And in New York, it was like the same thing as the London Fog. We've got four shows to play here, two sets tonight, two sets tomorrow night. Let's play whatever we want! Let's just go!"

Go they did. Along with a mix of then-unheard new songs and old covers, the band also tapped into its 1967, self-titled debut, peppering the set lists with signature songs such as "Break On Through (To The Other Side)," "Soul Kitchen," "The End," and "Light My Fire," The Doors' first #1 hit.

For the final show of the Felt Forum stand, the band was joined onstage by two guests - The Lovin' Spoonful's John Sebastian (who played harmonica on the studio version of "Roadhouse Blues") and drummer Dallas Taylor, who'd played on Crosby, Stills & Nash's debut. Sebastian sat in for "Rock Me" and was joined by Taylor for "Going To N.Y. Blues" and "Maggie M'Gill."

Fans will be blown away by the crisp sound found on LIVE IN NEW YORK. All four shows were mixed and mastered by the band's longtime engineer, Bruce Botnick, who recorded a number of shows from The Doors' 1970 tour on multi-track tape for the Absolutely Live album. While most of the music contained on LIVE IN NEW YORK is unreleased, a few songs (and portions of songs) surfaced in 1970 on Absolutely Live and in 1997 on Box Set.

Sadly, these shows represent The Doors' final New York City performances with Morrison, who passed away July 3, 1971.

*Previously unreleased



http://www.contactmusic.com/news.nsf/story...isc-set_1114239

QUOTE
THE DOORS' NEW YORK FAREWELL TO BE RELEASED AS SIX-DISC SETForgotten footage of THE DOORS final New York shows is to be released as a six-CD collection in November (09).
A third of the 90 tracks recorded during the group's Felt Forum shows in January, 1970 have never been heard before.
Drummer John Densmore admits he has special memories of the four shows - because the venue was such a great place to play.
He tells RollingStone.com, "It was more intimate, and you could feel the audience more. There was more interaction, and the acoustics were much better, because it was designed for music."

28 August 2009 01:26




http://www.chartattack.com/news/73862/door...ws-coming-to-cd

QUOTE
Doors' Final New York Shows With Morrison Coming To CD
08/27/09 1:34pm


by Kate Harper (CHARTattack)

The Doors played their final four New York shows with Jim Morrison on Jan. 17 and 18, 1970 at the city's Felt Forum. The songs played at those shows will be released as a six-CD set dubbed Live In New York on Nov. 10.

Many of the live tracks on the CDs are previously unreleased, and the set sees the band playing material just before the release of 1970's Morrison Hotel, their second last album with Morrison, who passed away from heart failure in Paris, France in 1971 at age 27.

"[The gigs were] more intimate, and you could feel the audience more," drummer John Densmore said in a statement. (The Felt Forum is an adjunct auditorium of Madison Square Garden that's now known as the WaMU Theatre.)

"There was more interaction, and the acoustics were much better because [the Felt Forum] was designed for music."

All the albums The Doors released with Morrison, from their 1967 self-titled debut to 1971's L.A. Woman, will be reissued on 180-gram vinyl through Rhino on Sept. 15.

Here are the songs on Live In New York:

Disc One — Jan. 17, 1970 (First show):

Start of show
"Roadhouse Blues"
"Ship Of Fools"
"Break On Through (To The Other Side)"
Tuning
"Peace Frog"
"Blue Sunday"
"Alabama Song (Whisky Bar)"
"Back Door Man"
"Love Hides"
"Five To One"
Tuning/Breather
"Who Do You Love"
"Little Red Rooster"
"Money"
Tuning
"Light My Fire"
More, More More
"Soul Kitchen"
End of show

Disc Two — Jan. 17, 1970 (Second show):
Start of show
Jim: "How Ya Doing?"
"Roadhouse Blues"
"Break On Through (To The Other Side)"
"Ship Of Fools"
"Crawling King Snake"
"Alabama Song (Whisky Bar)"
"Back Door Man"
"Five To One"
Pretty Neat, Pretty Good
"Build Me A Woman"
Tuning/Breather
"Who Do You Love"
Tuning/Breather
"Wild Child"
Cheering/Tuning
"When The Music's Over"

Disc Three — Jan. 17, 1970 (second show continued)
Tuning/Breather
"Light My Fire"
Hey, Mr. Light Man!
"Soul Kitchen"
Jim's Fish Joke
"The End"
End of show

Disc Four — Jan. 18, 1970 (Third show)
Start of show
"Roadhouse Blues"
"Ship Of Fools"
"Break On Through (To The Other Side)"
Tuning/Breather
"Universal Mind"
"Alabama Song (Whisky Bar)" (false start)
"Alabama Song (Whisky Bar)"
"Back Door Man"
"Five To One"
Tuning/Breather
"Moonlight Drive"
"Who Do You Love"
Calling Our For Songs
"Money"
Tuning/Breather
"Light My Fire"
More, More More
"When The Music's Over"
End of show

Disc Five — Jan. 18, 1970 (fourth show)
Start of show
"Roadhouse Blues"
"Peace Frog"
"Alabama Song (Whisky Bar)"
"Back Door Man"
"Five To One"
We Have A Special Treat
"Celebration Of The Lizard"
Alright, Let's Boogie
"Build Me A Woman"
"When The Music's Over"
More, More More

Disc Six — Jan. 18, 1970 (fourth show continued)
"Soul Kitchen"
For Fear Of Getting Too Patriotic
Petition The Lord With Prayer
"Light My Fire"
Only When The Moon Comes Out
"Close To You"
The Encore Begins
"Rock Me"
What To Do Next?
"Going To N.Y. Blues"
Tuning/Breather
"Maggic M'Gill"
Tuning/Breather
"Gloria"/End of show



And if you have the time, add a positive comment to the Spinner website story with the song preview of Break on Through.  
   smile.gif

http://www.spinner.com/2009/08/27/the-door...-song-premiere/


And while you're there, give a thumbs-down to this dweeb:   dry.gif

QUOTE
young
at 8-28-2009jim morrison what a damn waste of good talent not one singer today has what he had they all try to hard, marty casey lovehammers is the rawest talent today and singer writer, prince in his.....day.









#39 Shebang

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Posted 28 August 2009 - 07:17 PM

Best Jim Morrison news story ever!   laugh.gif

8-28-09 Weekly World News

http://weeklyworldnews.com/celebs/11312/john-mayers-mugshot/

QUOTE
LOS ANGELES, CA – John Mayer’s mug shot has leaked on the internet.  Only Weekly World News has the full story behind his arrest.

Earlier this week a mughsot from the 2001 arrest of John Mayer was released on the internet.  The story behind this arrest has remained a mystery, until now.

During the late nineties John Mayer was a member of the Hells Angels.  Before he was famous, the sensitive musician was wanted for armed robbery, larceny, and stampeding cattle through a church.  Police in five states were on the lookout for the man they only knew by his biker name “Babyface.”  Babyface spent years outrunning the law across 5 states.

In fall of 2001 he arrived at a small bar in Atlanta in a car he stole at the instruction of the ghost of Jim Morrison.  Inside the bar were members of a local biker gang were mourning the loss of the Atlanta Falcons in that afternoon’s game.  Seeing they were members of a rival gang John Mayer walked over to their table and offered them a napkin saying “if you want to cry over your sissy football team, the ladies room is over there.”  He then began to casually relieve himself into each of their beers.

The fight that ensued left 3 tables broken and the bartender with Post Traumatic Stress Disorder.  Police arrived on the seen shortly and Mayer was arrested for the fight, and the 7 dried grams of mushrooms they found on his person.

John Mayer served only probation in exchange for key information that brought down a stolen furniture ring.  It was during this time that he decided to change his life and focus on music, again at the suggestion of Jim Morrison’s ghost.   After Morrison heard what would become Mayer’s first album, the two haven’t spoken since.

Edited by Shebang, 28 August 2009 - 07:19 PM.


#40 Shebang

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Posted 29 August 2009 - 01:34 PM

Great new writer at the Examiner!

The Doors keep breaking through with new releases
August 28, 8:32 PM  The Doors ExaminerJim Cherry

http://www.examiner.com/x-21763-The-Doors-...th-new-releases




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